The Pageant will be livestreamed starting at 7:30 Summer UK time, which was a few hours ago.
But it will be available for streaming for 48 hours, so most of Saturday and all day Sunday.
I have heard it is well-done.
Handouts and Notes for Rebecca Holt Stay's LDS Adult Religion Classes
But it will be available for streaming for 48 hours, so most of Saturday and all day Sunday.
I have heard it is well-done.
Walter Rane
“Seven Stanzas at Easter” (John Updike)
Make no mistake: if he rose at all
It was as His body;
If the cell’s dissolution did not reverse, the molecule reknit,
The amino acids rekindle,
The Church will fall.
It was not as the flowers,
Each soft spring recurrent;
It was not as His Spirit in the mouths and fuddled eyes of the
Eleven apostles;
It was as His flesh; ours.
The same hinged thumbs and toes
The same valved heart
That—pierced—died, withered, paused, and then regathered
Out of enduring Might
New strength to enclose.
Let us not mock God with metaphor,
Analogy, sidestepping, transcendence,
Making of the event a parable, a sign painted in the faded
Credulity of earlier ages:
Let us walk through the door.
The stone is rolled back, not papier-mache,
Not a stone in a story,
But the vast rock of materiality that in the slow grinding of
Time will eclipse for each of us
The wide light of day.
And if we have an angel at the tomb,
Make it a real angel,
Weighty with Max Planck’s quanta, vivid with hair, opaque in
The dawn light, robed in real linen
Spun on a definite loom.
Let us not seek to make it less monstrous,
For our own convenience, our own sense of beauty,
Lest, awakened in one unthinkable hour, we are embarrassed
By the miracle,
And crushed by remonstrance.
—John Updike, “Seven Stanzas as Easter” (1960)
This final station of the cross is a recent -and most appropriate - addition.
XV Easter Dawn
-Malcolm Guite
He blesses every love which weeps and grieves
And now he blesses hers who stood and wept
And would not be consoled, or leave her love’s
Last touching place, but watched as low light crept
Up from the east. A sound behind her stirs
A scatter of bright birdsong through the air.
She turns, but cannot focus through her tears,
Or recognize the Gardener standing there.
She hardly hears his gentle question ‘Why,
Why are you weeping?’, or sees the play of light
That brightens as she chokes out her reply
‘They took my love away, my day is night’
And then she hears her name, she hears Love say
The Word that turns her night, and ours, to Day.
The Quieting of Mary with the Resurrected One
What they felt then: is it not
above all other mysteries the sweetest
and yet still earthly:
when he, pale from the grave,
his burdens laid down, went to her:
risen in all places.
Oh, first to her. How they
inexpressibly began to heal.
Yes heal: that simple. They felt no need
to touch each other strongly.
He placed his hand, which next
would be eternal, for scarcely
a second on her womanly shoulder.
And they began
quietly as trees in spring
in infinite simultaneity
their season
of ultimate communing.
-Translated by Randy Coleman-Riese
THE CONSOLATION OF MARY WITH THE RESURRECTED CHRIST
What they then experienced, is it not
sweet above all secrets
and still quite earthly:
there he, a little pale still from the grave,
disburdened stepped towards her,
resurrected in every way.
O, to her first. How they were there,
beyond description, in healing.
Yes, they were healing; that was it. They had no need
to boldly touch.
For scarcely a moment
he laid his almost
eternal hand upon her womanly shoulder.
And they began,
silently as the trees in spring,
infinitely together
this season
of their deepest communion.
(unknown translator: https://www.moravianseminary.
Two more Stations
-Malcolm Guite
XIII Jesus’ body is taken down from the cross
His spirit and his life he breathes in all
Now on this cross his body breathes no more
Here at the centre everything is still
Spent, and emptied, opened to the core.
A quiet taking down, a prising loose
A cross-beam lowered like a weighing scale
Unmaking of each thing that had its use
A long withdrawing of each bloodied nail,
This is ground zero, emptiness and space
With nothing left to say or think or do
But look unflinching on the sacred face
That cannot move or change or look at you.
Yet in that prising loose and letting be
He has unfastened you and set you free.
XIV Jesus is laid in the tomb
Here at the centre everything is still
Before the stir and movement of our grief
Which bears it’s pain with rhythm, ritual,
Beautiful useless gestures of relief.
So they anoint the skin that cannot feel
Soothing his ruined flesh with tender care,
Kissing the wounds they know they cannot heal,
With incense scenting only empty air.
He blesses every love that weeps and grieves
And makes our grief the pangs of a new birth.
The love that’s poured in silence at old graves
Renewing flowers, tending the bare earth,
Is never lost. In him all love is found
And sown with him, a seed in the rich ground.
Chora Church, Istanbul
Down through the tomb's inward arch
He has shouldered out into Limbo to gather them, dazed, from dreamless slumber: the merciful dead, the prophets, the innocents just His own age and those unnumbered others waiting here unaware, in an endless void He is ending now, stooping to tug at their hands, to pull them from their sarcophagi, dazzled, almost unwilling. Didmas, neighbor in death, Golgotha dust still streaked on the dried sweat of his body no one had washed and anointed, is here, for sequence is not known in Limbo; the promise, given from cross to cross at noon, arches beyond sunset and dawn. All these He will swiftly lead to the Paradise road: they are safe. That done, there must take place that struggle no human presumes to picture: living, dying, descending to rescue the just from shadow, were lesser travails than this: to break through earth and stone of the faithless world back to the cold sepulchre, tearstained stifling shroud; to break from them back into breath and heartbeat, and walk the world again, closed into days and weeks again, wounds of His anguish open, and Spirit streaming through every cell of flesh so that if mortal sight could bear to perceive it, it would be seen His mortal flesh was lit from within, now, and aching for home. He must return, first, in Divine patience, and know hunger again, and give to humble friends the joy of giving Him food—fish and a honeycomb.
Ivanka Demchuk
Unkept Good Fridays
by Thomas Hardy
There are many more Good Fridays
Than this, if we but knew
The names, and could relate them,
Of men whom rulers slew
For their goodwill, and date them
As runs the twelvemonth through.
These nameless Christs' Good Fridays,
Whose virtues wrought their end,
Bore days of bonds and burning,
With no man to their friend,
Of mockeries, and spurning;
Yet they are all unpenned.
When they had their Good Fridays
Of bloody sweat and strain
Oblivion hides. We quote not
Their dying words of pain,
Their sepulchres we note not,
Unwitting where they have lain.
No annual Good Fridays
Gained they from cross and cord,
From being sawn asunder,
Disfigured and abhorred,
Smitten and trampled under:
Such dates no hands have scored.
Let be. Let lack Good Fridays
These Christs of unwrit names;
The world was not even worthy
To taunt their hopes and aims,
As little of earth, earthy,
As his mankind proclaims.
Good Friday, 1927
Balage Balogh
Good Friday
by Christina Rossetti
Am I a stone and not a sheep
That I can stand, O Christ, beneath Thy Cross,
To number drop by drop Thy Blood's slow loss,
And yet not weep?
Not so those women loved
Who with exceeding grief lamented Thee;
Not so fallen Peter weeping bitterly;
Not so the thief was moved;
Not so the Sun and Moon
Which hid their faces in a starless sky,
A horror of great darkness at broad noon,—
I, only I.
Yet give not o'er,
But seek Thy sheep, true Shepherd of the flock;
Greater than Moses, turn and look once more
And smite a rock.
More Stations of the Cross
RHS note: many of these stations are legendary, but it helps to know Christian traditions.
By Malcolm Guite
These are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′
VI Veronica wipes the face of Jesus
Bystanders and bypassers turn away
And wipe his image from their memory
She keeps her station. She is here to stay
And stem the flow. She is the reliquary
Of his last look on her. The bloody sweat
And salt tears of his love are soaking through
The folds of her devotion and the wet
folds of her handkerchief, like the dew
Of morning, like a softening rain of grace.
Because she wiped the grime from off his skin,
And glimpsed the godhead in his human face
Whose hidden image we all bear within,
Through all our veils and shrouds of daily pain
The face of god is shining once again.
VII Jesus falls the second time
Through all our veils and shrouds of daily pain,
Through our bruised bruises and re-opened scars,
He falls and stumbles with us, hurt again
When we are hurt again. With us he bears
The cruel repetitions of our cruelty;
The beatings of already beaten men,
The second rounds of torture, the futility
Of all unheeded pleading, every scream in vain.
And by this fall he finds the fallen souls
Who passed a first, but failed a second trial,
The souls who thought their faith would hold them whole
And found it only held them for a while.
Be with us when the road is twice as long
As we can bear. By weakness make us strong.
VIII Jesus meets the women of Jerusalem
He falls and stumbles with us, hurt again
But still he holds the road and looks in love
On all of us who look on him. Our pain
As close to him as his. These women move
Compassion in him as he does in them.
He asks us both to weep and not to weep.
Women of Gaza and Jerusalem,
Women of every nation where the deep
Wounds of memory divide the land
And lives of all your children, where the mines
Of all our wars are sown: Afghanistan ,
Iraq, the Cote d’Ivoire… he reads the signs
And weeps with you and with you he will stay
Until the day he wipes your tears away.
IX Jesus falls the third time
He weeps with you and with you he will stay
When all your staying power has run out
You can’t go on, you go on anyway.
He stumbles just beside you when the doubt
That always haunts you, cuts you down at last
And takes away the hope that drove you on.
This is the third fall and it hurts the worst
This long descent through darkness to depression
From which there seems no rising and no will
To rise, or breathe or bear your own heart beat.
Twice you survived; this third will surely kill,
And you could almost wish for that defeat
Except that in the cold hell where you freeze
You find your God beside you on his knees.
IX Jesus is stripped of His garments
You can’t go on, you go on anyway
He goes with you, his cradle to your grave.
Now is the time to loosen, cast away
The useless weight of everything but love
For he began his letting go before,
Before the worlds for which he dies were made,
Emptied himself, became one of the poor,
To make you rich in him and unafraid.
See as they strip the robe from off his back
They strip away your own defenses too
Now you could lose it all and never lack
Now you can see what naked Love can do
Let go these bonds beneath whose weight you bow
His stripping strips you both for action now
Salvador Dali
XI Crucifixion: Jesus is nailed to the cross
See, as they strip the robe from off his back
And spread his arms and nail them to the cross,
The dark nails pierce him and the sky turns black,
And love is firmly fastened onto loss.
But here a pure change happens. On this tree
Loss becomes gain, death opens into birth.
Here wounding heals and fastening makes free
Earth breathes in heaven, heaven roots in earth.
And here we see the length, the breadth, the height
Where love and hatred meet and love stays true
Where sin meets grace and darkness turns to light
We see what love can bear and be and do,
And here our saviour calls us to his side
His love is free, his arms are open wide.
XII Jesus dies on the cross
The dark nails pierce him and the sky turns black
We watch him as he labours to draw breath
He takes our breath away to give it back,
Return it to its birth through his slow death.
We hear him struggle breathing through the pain
Who once breathed out his spirit on the deep,
Who formed us when he mixed the dust with rain
And drew us into consciousness from sleep.
His spirit and his life he breathes in all
Mantles his world in his one atmosphere
And now he comes to breathe beneath the pall
Of our pollutions, draw our injured air
To cleanse it and renew. His final breath
Breathes us, and bears us through the gates of death.
Three different selections for Maundy Thursday: "Maundy" comes from the Latin word mandatum, or commandment, reflecting Jesus' words at the last supper: "I give you a new commandment."
Maundy Thursday 2020,
All the World is still
- Malcolm Guite
Maundy Thursday, all the world is still
The planes wait, grounded by departure gates
The street is empty and the shopping mall
Deserted. Padlocked, the playground waits
Against the day that children play again
Till then our sad refrain is just refrain
Maundy Thursday, all the world is still
And Jesus is at supper with his friends
No longer in the upper room, that hall
In Zion where the story starts and ends,
For he descended from it long ago
To find his new friends in the here and now
Maundy Thursday, all the world is still
And Jesus is at supper with his friends
Our doors are locked for fear, but he has skill
In breaking barriers. With ease he bends
Our prison bars, slips past the sentry post
And joins us as the guest who is our host.
Maundy Thursday All the world is still
But in cramped quarters on the fifteenth floor,
In lonely towers made of glass and steel,
And in the fierce favelas of the poor,
Touching with wounded hands the wounds he tends
Christ Jesus is at supper with his friends.
James C Christensen
Second, Kipling during World War 1.
Gethsemane 1914-1918
-BY RUDYARD KIPLING
The Garden called Gethsemane
In Picardy it was,
And there the people came to see
The English soldiers pass.
We used to pass—we used to pass
Or halt, as it might be,
And ship our masks in case of gas
Beyond Gethsemane.
The Garden called Gethsemane,
It held a pretty lass,
But all the time she talked to me
I prayed my cup might pass.
The officer sat on the chair,
The men lay on the grass,
And all the time we halted there
I prayed my cup might pass.
It didn’t pass—it didn’t pass-
It didn’t pass from me.
I drank it when we met the gas
Beyond Gethsemane!
Carved and painted by Dianne Minnaar : Acrylic and mixed media on wood panels : Sacred Heart Church in Samford Village, Queensland, Australia
https://ymi.today/2016/03/
Third, poems on the first 5 of the 15 stations of the cross, the path taken by Christ as he carries his cross. The Stations of the Cross originated in pilgrimage to Jerusalem and a desire to reproduce the Via Dolorosa.Traditionally there were fourteen stations. During his papacy, which began in 1978, Pope John Paul II encouraged Catholics to add a fifteenth Station, the Resurrection of Christ, which is now included in many Catholic churches.
Stations of the Cross
By Malcolm Guite
I Jesus is condemned to death
The very air that Pilate breathes, the voice
With which he speaks in judgment, all his powers
Of perception and discrimination, choice,
Decision, all his years, his days and hours,
His consciousness of self, his every sense,
Are given by this prisoner, freely given.
The man who stands there making no defense,
Is God. His hands are tied, His heart is open.
And he bears Pilate’s heart in his and feels
That crushing weight of wasted life. He lifts
It up in silent love. He lifts and heals.
He gives himself again with all his gifts
Into our hands. As Pilate turns away
A door swings open. This is judgment day.
II Jesus is given his cross
He gives himself again with all his gifts
And now we give him something in return.
He gave the earth that bears, the air that lifts,
Water to cleanse and cool, fire to burn,
And from these elements he forged the iron,
From strands of life he wove the growing wood,
He made the stones that pave the roads of Zion
He saw it all and saw that it is good.
We took his iron to edge an axe’s blade,
We took the axe and laid it to the tree,
We made a cross of all that he has made,
And laid it on the one who made us free.
Now he receives again and lifts on high
The gifts he gave and we have turned awry.
III Jesus falls the first time
He made the stones that pave the roads of Zion
And well he knows the path we make him tread
He met the devil as a roaring lion
And still refused to turn these stones to bread,
Choosing instead, as Love will always choose,
This darker path into the heart of pain.
And now he falls upon the stones that bruise
The flesh, that break and scrape the tender skin.
He and the earth he made were never closer,
Divinity and dust come face to face.
We flinch back from his via dolorosa,
He sets his face like flint and takes our place,
Staggers beneath the black weight of us all
And falls with us that he might break our fall.
IV Jesus meets His Mother
This darker path into the heart of pain
Was also hers whose love enfolded him
In flesh and wove him in her womb. Again
The sword is piercing. She, who cradled him
And gentled and protected her young son
Must stand and watch the cruelty that mars
Her maiden making. Waves of pain that stun
And sicken pass across his face and hers
As their eyes meet. Now she enfolds the world
He loves in prayer; the mothers of the disappeared
Who know her pain, all bodies bowed and curled
In desperation on this road of tears,
All the grief-stricken in their last despair,
Are folded in the mantle of her prayer.
V Simon of Cyrene carries the cross
In desperation on this road of tears
Bystanders and bypassers turn away
In other’s pain we face our own worst fears
And turn our backs to keep those fears at bay
Unless we are compelled as this man was
By force of arms or force of circumstance
To face and feel and carry someone’s cross
In Love’s full glare and not his backward glance.
So Simon, no disciple, still fulfilled
The calling: ‘take the cross and follow me’.
By accident his life was stalled and stilled
Becoming all he was compelled to be.
Make me, like him, your pressed man and your priest,
Your alter Christus, burdened and released.
These are taken from ‘Sounding the Seasons; seventy Sonnets for the Christian Year, Canterbury Press 2012′